Local 802 musicians from the Broadway show “Beetlejuice” recently recorded a cast album at the DiMenna Center. Allegro photographer Walter Karling was given access to the session, which was recorded under a union contract. MUSIC COORDINATOR: Howard Joines; MUSIC DIRECTOR: Kris Kukul; ASSOC CONDUCTOR/KEYBOARDS: Adam Laird; REED 1: Vito Chiavuzzo (flute, piccolo, clarinet, alto, soprano); REED 2: Rick Heckman (flute, piccolo, alto, oboe); REED 3: Jay Brandford (flute, clarinet, tenor, bari, bass clarinet); TRUMPET 1: Tony Kadleck (plus flugelhorn); TRUMPET 2: Dylan Schwab (plus flugelhorn); TROMBONE: Nate Mayland (plus bass trombone and tuba); KEYBOARDS: Joey Joseph; BASS: Conrad Korsch (electric and acoustic basses); GUITAR 1: Sean Driscoll (electric, acoustic steel, acoustic nylon, cuatro); GUITAR 2: John Putnam (electric, acoustic steel, ukulele); DRUMS: Shannon Ford ; PERCUSSION: Josh Samuels; VIOLIN AND CONCERTMASTER: Adda Kridler; VIOLIN/VIOLA: Entela Barci ; VIOLIN 2: Sarah Zun; CELLO: Alon Bisk.
Read MoreThe nominations for the 2019 Tony Awards are in, and some musicals and plays have taken home a slew of nods for this year, including "Beetlejuice" and "Tootsie."
Read MoreMusic & Lyrics by Eddie Perfect and Musical Supervision, Orchestrations and Incidental Music by Kris Kukul
Now in previews at New York’s Winter Garden Theater after a run in Washington, D.C., director Tim Burton’s 1988 cult classic Beetlejuice has become a Broadway musical (opening April 25). The show still tells the story of the eccentric, clownish demon (originated by Michael Keaton and played here by School of Rock alum Alex Brightman) who terrorizes a family grappling with issues concerning both the mortal and the macabre.
One key difference: new music and lyrics by Eddie Perfect (King Kong). “I was in a really fortunate position to have a great, funny and surprisingly moving script in my hands to go off of,” says Perfect, who set out to inject multiple musical influences into the show. “In Tim Burton’s film, Beetlejuice is always turning on a dime by manipulating, seducing and conjuring up magic and illusions all over the place. I knew that if I set out to write one musical style, it would have killed what works for a character who is dynamic and surprising.”
Read MoreThe Tony Awards race is upon us. On Thursday night we got to see a major contender for Best Musical as “Beetlejuice,” based on the movie more or less, opened to a sold out show at the Winter Garden.
Read MoreGhosts, demons, life coaches, and even a Girl Scout have taken over Broadway, as Beetlejuice haunts the Winter Garden Theatre beginning March 28. Ahead of the new musical’s Main Stem bow, the stars chatted with Playbill to discuss the thrills, chills, jokes, heart, and humor in store for audiences.
“This might be the most fun I have ever had on a stage,” admits Alex Brightman, who takes on the title role of the bio-exorcist demon. “This is a show that does not exist on Broadway, and it hasn’t existed. Because in its nature, it’s truly absurd.”
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